SYLLABOUS-2011-12
B.A. PART -I
DRAWING AND PAINTING
Ist Paper- Theory Code-No--- M.M.40
Fundamentals of Visual Art & Indian folk Art.
Unit-I Simple study : Definition and Meaning of Art Elements of Painting
1. Line
2. Form
3. Color
4. Tone
5. Texture
6. Space
Unit-II Principles of Composition
1. Proportion
2. Rhythm
3. Dominance
4. Harmony
5. Unity
6. Balance
Unit-III Medium and Techniques
1. Dry Medium
Pastel Color
2. Wet Medium
Water , Oil , Acrylic
Techniques
Pastel Color ,Water Color ,Tempera Color , Acrylic Color
Unit-IV Indian Folk Art
1. Origin
2. Definition
3. Types-Rangoli, Mandana, Alpana, Sanjhileela, Godana, Aipan
Suggested Readings:
1. Roopankan: G.K. Agarawal
2. Chitrakala Ke Anga: C.L. Jha
3. Chitran Vidhan: Sharma and Kshotriya
1. Roopprada kala ke Mool Aadhar: Sharma & Agarwal
2. Kala Ki Parakh: K.K. Jaiswal
3. Kala ka Darshan: Ramchandra Shukla
4. Kala Vivechana: Kumar Vimal
5.Kalagat Tatva [Aakriti-1] Kiran Pradeep
6.Chtran Vidhan Avam Samagri S.D.Kshotriya
7.Bhartiya Lokkala Neelima Gupta
8.Roopradakala R.A. Agrawal
9.Lokaabhivyakti Neelima Gupta
10.Kala Shikshan Chitralekha Singh
11.Kala Shikshan –Shikshak &Shiksharthi Chitralekha Singh
B.A. PART -I
DRAWING AND PAINTING
IInd --PAPER- PRACTICAL Code No-------- M.M. 30
Still Life Painting
1. Size : Quarter Imperial
2. Duration of Time: 3 Hours
3. Medium : Oil/Water/Acrylic/Pastel
4. Submission of Sessional work:
5 Plates , 5 Sketches
Division of Marks
Examination = 20
5 Plates and 5 Sketches for submission = 5+5= 10 Total= 30
IIIrdPaper[Prac.] Code N0--------- M.M.30
CreativeRendering.
1. Size: Quarter Imperial
2. Duration of Time: 3 Hours
3. Medium : Any Medium
4. Submission of Sessional work: 5 Plates
5 Sketches
Division of Marks
Examination = 20
5 Plates and 5 Sketches for submission
Total of Prac. Marks = 5+5=10 (30+30=60 )
INSTRUCTIONS
1. Above mentioned second paper practical's in two units should be treated in two courses and two individual period should be allotted for every batch. One batch should be consituted of maximum 30 students.
2. Ist paper theory should be allotted another individual period.
3. Art material should be provided from the college for the demonstration by the teacher.
4. Drawing Boards should be provided for each student from the college.
5. The objects of still life should be purchased by the college for conducting Art classes. 5
PROPOSED SYLLABOUS-2011-12
B.A. PART -II
DRAWING AND PAINTING
IVth Paper- Theory Code No--------- M.M.40
History of Indian Painting
Unit-I Pre-historic art in reference to Indian Painting
1. Pre-historic Painting
2. Indus Valley
Unit-II Buddhist Art: (Buddha Period)
1. Ajanta
2. Bagh
3. Sittanvasal
4. Badami
5. Ellora
Unit-III Medieval Art (Medieval Period)
1. Pal School
2. Apbhransha/ Jain School/Western Indian Painting
Unit-IV Rajasthani Style
1. Mewar---Udaipur
2. Marwar--KishanGarh
3. Hadhoti—Bundi-Kota
4. Dhundar--Jaipur
Mughal School
1. Akbar
2. Jahanghir
3. Shahjahan
Pahari School
1. Basholi
2. Kangra
3. Garhwal
Suggested Readings: 6
1. Bharat Ki Chitrakala:
2. Bhartiya Chtrakala ka Itihaas :
3. Bhartiya Chitrakala ka Itihasic Sandarbh:
4. Bhartiya Chitrakala ka Sankshipta Parichaya:
Raikrishna Das
C.L. Jha
Gopal Madhukar Chaturvedi
Vachaspati Gairola
5. Kala Aur Kalam :
6. Bhartiya Chitrakala ka Itihaas :
7. Bhartiya Chitrakala ka Itihaas :
8. Indian Paintings :
9.Bhartiya Kala[AAkriti-2]
10.Bhrtiya Chitrakala ka Sankshipta Itihas
11 Bhartiya Chitra Kala Asha Aanand & Seema
12.Drawing of Rajasthan Chitralekha Singh
13.Paramparik Rekhankan Archana Rani
G.K. Agarwal
R.A. Agrawal
Avinash Bahadur Verma
Percy Brown
Kiran Pradeep
L. C. Sharma
B.A. PART -II
DRAWING AND PAINTING
Vth PAPER- PRACTICAL CODE NO---------------- M.M. 30
Copy from Old Masters (One figure composition )
1. Size: Quarter Imperial
2. Duration of time: 3 Hours
3. Medium : Any Medium
[Water ,Acrylic]
4. Submission of Sessional work: 5 Plates
5 Sketches
Division of Marks
Examination = 20
5 Plates and 5 Sketches for submission = 5+5 =10
Total= 30
VIth Paper
Portrait Study Bust [ Cast/Life]
Code No------- M.M. 30
1. Size : Quarter Imperial
2. Duration of time: 3 Hours
3. Medium : Water/oil/Acrylic
4. Submission of Sessional work: 5 Plates
5 Sketches
Division of Marks
Examination = 20
5 Plates and 5 Sketches for submission = 5+5 = 10 Total= 30
Total Practical Marks =30+30=60 8
PROPOSED SYLLABUS-2011-12
B.A. PART -III
DRAWING AND PAINTING
VIIth Paper- Theory Code No---- M.M.40
Philosophy of Art and Modern Indian Painting
(18th Century AD upto Present Age)
Unit-I Simple Study
1. Definition and Meaning of Art
2. Six Limbs of Indian paintings (Shadang)
Unit-II Philosophy of Art
1. Concept of beauty
2. Art and Symbolism
3. Art and Society
4. Art and Modernity
Unit-III
A Modern Art in Indian Painting (from 18th Century upto present age)
1. Patna/Company School:
2. Life and style of Raja Ravi Verma
3. Bengal School/Renaissance period
Life and style Abanindranath Tagore, Asitkumar Haldar, Nandlal Bose, Kshitindranath Mazumdar
B New Trends in Modern Indian paintings
1. Life and Style of Jamini Roy, Ravindranath Tagore,
Gagandranath Tagore, Amrita Shergil Gill
Unit-IV Contemporary Indian Painting after Independence upto
Present age.
1. Life and Style of Satish Gujral, M.F. Husain, K.K. Hebbar, N.S. Bendre, B. Prabha,, Ram Kumar.
Suggested Readings:
1. Bharat Ki Chitrakala: 2. Bhartiya Chtrakala ka Itihaas : 3. Bhartiya Chitrakala ka Itihasic Sandarbh: 4. Bhartiya Chitrakala ka Sankshipta Parichaya: 5. Abanindranath Tagore and the Art of His Times: Rai krishna Das C.L. Jha ,Gopal Madhukar Chaturvedi ,Vachaspati Gairola ,Jaya Appaswamy. 1. Kala Aur Kalam : 2. Bhartiya Chitrakala ka Itihaas : 3. Bhartiya Chitrakala ka Itihaas : 4. Indian Paintings : 5. Kala Vilas : 6.Bhartiya Aadhunik Kala 7.Aadhunik Bhartiya Chitra Kala G.K.Agrawal G.K. Agarwal R.A. Agrawal Avinash Bahadur Verma ,Percy Brown
R.A. Agarwal Kiran Pradeep 8.KalaSameeksha G.K.Agrawal ,9. KalaSameeksha Avam saundraShashtra G.K.Agrawal,10.Saundarya Rajendra Bajpai 11,SaundaryaShashtra Hardwarilal Sharma 12.Saundarya Bodh Avam Lalitkalayein Saroj Bhargava 13.Kala Chitralekha Singh 14.Manavakriti Sanyojan Archana Rani 15.Kalatmak Sanyojan Kiran Pradeep
B.A. PART -III
DRAWING AND PAINTING
VIIIth PAPER- PRACTICAL CODE NO--------- M.M.30
Pictorial composition (with minimum two human figures are compulsory)
1. Size: Quarter Imperial
2. Duration of Time: 3 Hours
3. Medium : Water
color/tempera[Poster]
4. Submission of Sessional work: 5 Plates, 5 Sketches
Division of Marks
Examination = 20
5 Plates and 5 Sketches for submission = 5+5=10 Total= 30
IXth Paper Code No-----
Landscape [Outdoor or Creative] M.M. 30
1. Size : Quarter Imperial
2. Duration of time: 3 Hours
3. Medium : Water/ oil
4. Submission of Sessional work: 5 Plates,
10 Sketches
Division of Marks
Examination =20
5 Plates and 10 Sketches for Submission = 5+5 = 10 Total= 30
Or
Life Study Sketching
1. Size : A3 Size Drawing Sheet
2. Medium : Pencil, Charcoal Ink
3. Submission of Work: 10 Plates (Sketching)
4. Sketches (Book) 25 Sketches
Division of Marks
Examination =20
10 Plates and 25 Sketches for submission = 5+5 = 10 Total= 30
Total Practical Marks =60 11
INSTRUCTIONS
1. Drawing Boards should be provided to the students of B.A. Part I, II and III from the college.
2. Art materials such as colors, paper canvas should be provided from the college to the teachers for their demonstration of different art classes.
3. Still life objects, Cast of human body's parts, Cast Bust, antiques should be purchased by the college for conducting the art classes of graduate
level.
4. In B.A. Part I and B.A. II Second paper practical, consisting of Two different groups- the entry of marks should be consolidated.
5. In B.A. III, II Paper Practical-should be treated separately Practicals of B.A. I, B.A. II and B.A. III and its groups should be allotted period
individually in the time table.
6. In each class B.A. Part I, II, III separate examiners should be appointed for practica
